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Notes on Shoe Shine Boxes: Another Essex Hemphill poem

A young woman wearing pink high-heels at Helsi...

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HOMOCIDE: For Ronald Gibson by Essex Hemphill

Item:
Ronald Gibson, 20, was found shot to death in the 2700 block of Arizona Avenue, N.W. Police said Gibson was wearing a dress and high-heeled shoes at the time of his death. According to Homicide Det. Lloyd Davis, Gibson, also known as “Star,” hung out during the past two years in the area near 14th and Fairmont Sts., N.W., an area frequented by drag queens who solicit sex for money. Detectives say they have no suspects and know of no motives in the case.
 The Washington Blade, 1/8/82

The poemHOMOCIDE: For Ronald Gibson by Essex Hemphill

Grief is not apparel.
Not like a dress, a wig
or my sister’s high-heeled shoes.
It is darker than the man I love
who in my fantasies comes for me
in a silver, six-cylinder chariot.
I walk the waterfront/curbsides
in my sister’s high-heeled shoes.
Dreaming of him, his name
still unknown to my tongue.
While I wait for my prince to come,
from every other man I demand pay
for my kisses. I buy paint
for my lips. Stockings for my legs.
My own high-heeled slippers
and dresses that become me.
When he comes,
I know I must be beautiful.
I will know how to love his body.
Standing out here on the waterfront/curbsides

I have learned to please a man.
He will bring me flowers.
He will bring me silk
and jewels, I know.
While I wait,
I’m the only man who loves me.
They call me “Star”
because I listen to
dreams and wishes.
But grief is darker.
It is a white dress
that covers my body.
It is a wig
that does not rest gently
on my head.

E.N.D

Published in Blacklight Vol. 4, No. 4

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Essex Hemphill: Brother From Another Planet

The first time I heard Essex Hemphill‘s name was in the documentary Black Is… Black Ain’t by Marlon Riggs. His poetry was interwoven into the documentary beautifully. Hemphill began writing at age 14 and studied English at the University of the District of Columbia.

Not only was Hemphill a poet but also an activist for equality and gay rights. In 1980 Hemphill outed himself during “a poetry reading at the Founders Library at Howard University. From the mid-1980s until his death, Hemphill became perhaps the most well-known Black gay male writer in the United States since James Baldwin,” according to Dr. Wilfred D. Samuels, General Editor of A Gift of Story/Encyclopedia of African-American Literature.

Watch When My Brother Fell Performed by a D.C. Native

Hemphill “first gained national attention when his work appeared in the anthology In the Life (1986), a seminal collection of writings by black gay men. In 1989, his poems were featured in the award-winning documentaries Tongues Untied and Looking for Langston.” In 1990 Hemphill finished compiling Brother to Brother: New Writings by Black Gay Men, started by Joseph Beam. Beam died to AIDS-related complications in 1988. Brother to Brother won a Lambda Literary Award. Hemphill later published Ceremonies: Prose and Poetry (Plume/New American Library), which was awarded the National Library Association’s Gay, Lesbian, and Bisexual New Author Award in 1993.

Hemphill’s poetry is in the new anthology, Persistent Voices: Poetry by Writers Lost to AIDSPoetry Anthologies), edited David Groff and Philip Clark (Alyson Books). Their have been readings from the anthology in San Francisco, D.C., and New York. Other poets anthologized in Persistent Voices are: Melvin Dixon, Chasen Gaver, Jim Everhard, Tim Dlugos, Reinaldo Arenas, Tory Dent, James Merrill, Paul Monette, and Joe Brainard.

“Persistent Voices is more than a catalogue of strong poetry by poets who were equally strong (in many ways),” Bryan Borland, an Amazon reviewer wrote. “Persistent Voices reminds us of the importance of poetry, of its place in society and of how it creates a degree of immortality. It teaches us, again, of how, with pen and paper, the truly persistent voices of these men and woman continue to be heard, to change lives, and to touch souls.”

Hemphill’s poetry is immortal. His poems have appeared in Essence, Black Scholar, Callaloo, Obsidian, Painted Bride Quarterly, The Advocate, and numerous other journals. His poems Dear Muthafuckin Dreams, Where Seed Falls, and American Wedding are in the anthology. In American Wedding Hemphill says:

They don’t know
we are becoming powerful.
Every time we kiss
we confirm the new world coming.

A powerful statement.

Watch Justin Vivian Bond Performing American Wedding

At an event titled Take Care of Your Blessings curated by Black Gay & Lesbian Archive Project, rare and unpublished manuscripts of Hemphill’s were featured. “Hemphill left three projects uncompleted: Standing in the Gap, a novel in which a mother challenges a preacher’s condemnation of her gay son who is suffering from AIDS; Bedside Companions, a collection of short stories by black gay men; and The Evidence of Being, narratives of older black gay men, which he had been working on since the early 90s in order to satisfy his curiosity about cultural and social history before the term “gay” entered popular usage.” Hemphill died in 1995 to AIDS-related complications.

One of my favorite Hemphill poems is The Father, Son and Unholy Ghosts. Read The Father, Son and Unholy Ghosts below and watch two YouTube performances of Hemphill’s work.

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